![]() ![]() As the band was doing sound check and camera rehearsal, the lighting palette was chosen based on each song the lighting director was hearing them play. It was kind of fitting, but we didn’t do it on purpose.”īecause Layne had dyed his hair pink, the lighting director tried to match the background to that. So the lava lamps themselves were kind of grungy and just barely moving around. So if you watch the show, they’re kind of sluggish and not at full potential. Apparently lava lamps need to be heated and turned on for quite a while before they do what they’re meant to do. It had this old-theater feel to it, it had a sense of history, a little sense of gloom to it, just enough moodiness, and it was art-directed beautifully.”Ĭoletti also got a last-minute request for lava lamps to decorate the stage, which wound up adding a visual element he hadn’t anticipated. Out of all the bands we’ve done there, it was most perfect for Alice. ![]() You have this bowl shape, the semicircle amphitheater, and it was perfect for Unplugged. But all the flaking paint was beautifully hand-painted and done on purpose. “The stagehands told me they shot bullet holes into the upstage walls to create the cracks. ![]() An art director had renovated it to intentionally look “kind of decrepit,” Coletti said. The show was to take place at what at the time was known as the Majestic Theater, a venue whose appearance reflected the music that would be performed there for the series. Toby Wright got tapped to produce and sat in during rehearsals at Sony Studios, which, in his words, “went great.” The band traveled to New York City in early April to prepare for the show, which was scheduled for April 10, 1996, at the Brooklyn Academy of Music. ![]()
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